Paul / Sucker Punch / Hanna / Your Highness

In the last 7 weeks I have finished teaching one course, travelled to Toronto, gave and marked an exam, travelled to Salt Lake City, and started teaching another course.  Around all of that, I even managed to make some progress on my thesis research.

But fear not! I have also managed to squeeze in a surprising number of movies.  I shall discuss four of them here; the fifth (Thor) will get its own entry soon.

Paul

This latest movie from Simon Pegg and Nick Frost kind of does for science fiction film what Shaun of the Dead did for zombie movies and Hot Fuzz did for cop/action movies: poke fun at the genre while firmly entrenching itself as part of it.  However, I think Paul has a level of meta-parody that overshadows its homage to SF movies in that it also rejoices in the fan culture of science fiction, comics, and other nerdly pursuits.

To that end, the movie is absolutely steeped in subtle (and not-so-subtle) references to other films.  What impressed me most, however, was that they didn’t have to struggle to fit them in or set them up, and if you didn’t get the reference the dialogue still worked and was funny enough it its own right.

That said, if you are not interested in science fiction films in general, I don’t think this one being a comedy is going to help matters much.  Also, the more familiar you are with iconic science fiction film, the more you’ll get out of this movie.  I enjoyed this movie immensely, as did the people I went with, but it is definitely not for everyone.

Sucker Punch

I so wanted to love this movie. After having seen Zack Snyder’s 300 (visually cool, if too in-love with slow motion and adapting some thin source material) and Watchmen (a good—but not great—adaptation that I talked about here), I was curious to see what he would do with his own material.

The trailers for Sucker Punch promised hot chicks kicking ass in a variety of fantastical and science fictional settings.  Unfortunately, in the film itself that turned out to all be in the imagination of a wrongfully-imprisoned young woman.  Thus, as cool as it looked, there were no stakes to the action on screen.  Sure, it was representative of other struggles in the real world, so it made sense in terms of the narrative, but it was just disappointing—I wanted to see hot chicks actually fighting zombie Nazis and giant samurai and robots, not imagining doing those things.

But I could forgive that.  It added a layer of complexity to an otherwise straightforward story.  What I didn’t like was how relentlessly dark and depressing that story was.  Pretty much everything that happens to our main characters in the movie is absolutely awful, most of the characters we encounter are the worst kind of scum, and—while there is some hope of things improving at the end—there’s not really much in the way of justice being served.  It’s just dark.

I wanted awesome and fun, and got dark and depressing.  While I think that dark story has its place in the world, dressing it up with imaginary fantasy action was the wrong way to sell it to me.  And apart from the bleakness of the story preventing me from even enjoying those action scenes, the betrayal of the promise of the trailer is what irked me most about this movie.

Complaints aside, I do think this movie was better than most reviews suggested.  I’ve noticed that movie reviewers tend to get upset by any kind of narrative complexity in a film—especially an action film—and I think that Sucker Punch was not as slight as most reviews suggested.  It was certainly a creatively ambitious film, but ultimately I don’t think it was successful in achieving its goals.

Hanna

The movie Hanna seemed to come out of nowhere, and I was pleasantly surprised by it.  Hanna is an SF-tinged action thriller with a strong cast that blends bloody and brutal action with an almost sweet story of a young girl learning to make friends and live in the wider world.

This is one of those movies that is exceedingly well-executed.  While it is not going to be one of my favourite films or anything, it is one where I didn’t see anything and think, “Oh, I wish they could have done that better,” or, “That was stupid.”  Everything hung together well, the pacing was tight, and the ending was… satisfying.

Overall, it was a good movie.  I would recommend it to anyone who likes action, suspense, or thriller movies (whether science-fictional or not).

Your Highness

I didn’t have much in the way of hope for Your Highness.  Humorous fantasy is tough to pull off in general, and I’m not sure that there is enough iconic fantasy film to successfully parody.  But it was cheap night at the movie theatre, I wanted to get out of the house, and it had both Natalie Portman and Zooey Deschanel, so I was game.

It was okay.  It made me laugh.  And it had a few scenes of a scantily-clad Natalie Portman.  Most of the humour came in the form of anachronism—the modern language and attitudes of the lead character sticking out amidst the more stock supporting cast.  The plot was basically a mishmash of standard fantasy tropes glued together with some foul language and a veneer of gross-out humour.

Basically, this was a dumb but mildly amusing movie.  Unless you have a strong aversion to profanity, ridiculous violence, and some awkward nudity, I would suggest this is the sort of movie you watch if it happens to be on TV and you are looking for something to do, or if it comes up while you are looking for something on Netflix.  It was better than I had expected, though, so for me is was a successful movie outing.

Coming Soon…. My thoughts on Thor.

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The Locus Awards

For those interested in science fiction and fantasy literature but otherwise not “in the know”, Locus is a sort of industry magazine.  It is full of book reviews, author interviews, news, and more about the written speculative fiction field.  Every year, they put out a recommended reading list, and also hold voting for the Locus Awards.  Anyone can vote; subscriber votes count for double.

The reason I bring this up is that fantasy site Ranting Dragon issued a reading challenge this year, which I participated in.  I also won a free book in their giveaway: The Sorcerer’s House by Gene Wolfe, which was quite good and on which I shall elaborate when I have a chance.  The whole point was to encourage people to read more good stuff, and participate in the voting.  (To that end, they now have a voting guide available.)

If you’ve read a science fiction or fantasy book (or story) first released in 2010, and you liked it, you should definitely vote in the Locus Awards.  And if you haven’t, well, the recommended reading list might be a good place to start.

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Thoughts on Source Code

One of the most recent releases in this unexpected spring bonanza of science fictional movies is Source Code, starring Jake Gyllenhaal (who I was not fond of in the Prince of Persia movie) and directed by Duncan Jones (whose directing I enjoyed in Moon).  I am happy to report that Jones has maintained his streak of good movies, and Gyllenhaal has earned forgiveness for Prince of Persia: The Sands of Time.

Source Code is a good movie.  It’s a hard one to talk about in a spoiler-free way, but I’ll try—any spoileriffic comments will go at the end behind a cut.  I can comfortably say that that I liked it more than The Adjustment Bureau or Limitless, and I liked both of those movies.

Source Code is tightly plotted and very well-paced.  I never got bored, I never wanted things to hurry up, and I wasn’t able to predict what was going to happen.  In a few cases, I was able to realize some things before the characters did—but not by much.  Frankly, it just made me feel smugly clever.  I think the casting was solid, too—everyone played well together (and apart, for that matter), and I found them all believable.

While the “science” part of this science fiction movie is more than a little hand-wavy, it still came across as plausible in that it worked in the context of the movie, and that’s all that I can really ask.  It even made some nods toward exploring some of the depths inherent in the idea, though that is not the focus of the movie, and yet it still managed to raise interesting questions.  So all in all, this is one of those rare films where I really found nothing worth complaining or criticizing.

Consequently, I would highly recommend Source Code.

Now, on to some spoilery stuff!  Do not read any further if you don’t want spoilers.

Continue reading

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Pizza Quest 4: Peter’s Pizza

I recently had the chance to return to an old favourite pizza place: Peter’s Pizza on Torbay Road.  At one time it had been our regular pizza place, but when it moved across the street my mother found it harder to get to (as she had to cross traffic), and so we stopped getting it quite so much.  I figured it was time to try it out again.

The pizza we got was a respectable pizza, with extremely abundant cheese.  The crust was nice and thick and doughy around the edges, but on this particular pizza I found it a little thin toward the middle.  This thinness—combined with the heavy load of melted cheese—led to a crucial structural issue: slice floppiness.  The bacon used as a topping was fine, but more the chewy rather than crispy variety.

As a result, this pizza had pros and cons in equal measure, roughly cancelling each other out.  I remember that one of the other reasons we had stopped going there back in the day was a lack of consistency—sometimes it is absolutely fantastic, and other times it is just okay.  I think that was the case here.  It was tasty, and I certainly ate too much of it, but there were a few little things I wished were a bit better.

The last time I had it—last summer, actually—it was much better than this most recent incarnation.  And that lack of consistency is the killer, really.  When I get a pizza from there that is not as good as I know it can be, it’s disappointing by comparison, even though the sub-par pizza is still fine of its own accord.  I think that takes Peter’s Pizza out of contention for being “The One Pizza Place” that becomes my default.

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The Adjustment Bureau / Limitless

It seems that March held an unexpected bonanza of science-fictional films.  I have been making something of an effort to see as many as I can, but as my time is limited I have been concentrating on movies that have a degree of positive buzz.  Thankfully,  the two I’ve seen have not let me down.

The Adjustment Bureau

This Matt Damon vehicle is yet another loose Hollywood adaptation of a Philip K. Dick short story (“Adjustment Team”).  Not having read the original story, I have no idea how accurate this adaptation is, so my impression of The Adjustment Bureau is solely based on the movie itself.

That impression is favourable.  The cast was surprisingly solid, and while there were plenty of chase sequences and big reveals, the pacing of the movie was surprisingly thoughtful and reflective.  The basic premise—which I think is apparent from the trailers—is that political aspirant David Norris (Damon) falls for a girl and mysterious forces try to keep them apart.

If that plot sounds rather simple, well, it is.  But the movie tries to explore the whole fate-versus-freewill debate, and much of the action develops out of the main characters taking action for themselves.  They actually have clear reasons for acting as they do, and it is an intensely personal story despite all the bigger questions raised by the film.

My only complaint about the film is with the ending, which seemed to arrive rather abruptly and quite possibly undermined the thematic argument of the movie.  While it tied up the plot, it didn’t really answer any questions or give us any sense of what lay in store for the characters. (I will grant that the last point may have been deliberate, given the nature of the movie, but it was still mildly unsatisfying.)

Still, I very much enjoyed this movie.  While it was no Inception in terms of complexity or quality, it was one of the more enjoyable and thoughtful SF movies I’ve seen recently, and I wish more movies were out there like it.  Good stuff.

Limitless

I had some trepidation going in to Limitless, as I hadn’t heard much about it before its release, and I knew its star Bradley Cooper more for his roles in comedies than serious action or SF films.  But it got some decent reviews from SF outlets, and did some solid box-office, so I gave it a shot.

In the movie, Eddie Morra (Cooper) is a struggling writer who takes a drug that enhances his intelligence to stratospheric heights but only lasts for a day.  The plot follows what happens to his accelerated self as he tries to take advantage of his new-found capabilities.

I thought this movie did not explore the notion of enhanced intelligence as well as it could have.  There are threads in that direction, but they get subordinated to the plot-level action and suspense.  However, the narrative style of the film was unconventional for an SF movie, and there were some very interesting visuals used in showing how the drug affected Eddie’s mind and perception of the world around him.

Despite the lack of depth, the movie was entertaining.  While the outcome was somewhat predictable, there were surprises on how we got there, and it made for a satisfying movie.  While I did not personally enjoy it quite so much as The Adjustment Bureau, I can certainly see that other people might like it more.  And, technically speaking, Limitless was the more rigorously science-fictional of the two movies.

Overall, I think my two choices for movies so far this month were good ones.

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Another Delightful Screed from Hal Duncan

I haven’t yet managed to read any of his well-regarded books, but from time to time I drop in on Hal Duncan’s blog.  There, he holds forth quite frankly and eloquently on any number of topics.  What amused me most recently was his response to a mainstream newspaper’s discussion of genre fiction, all of which you can find starting here.

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Pizza Quest 3: Mr. Jim’s Pizza

My decision to even bother trying a pizza place in Mount Pearl was entirely based off a friend of mine—jazz musician Patrick Boyle—writing a song about it: Mr. Jim’s Reels.  I figured song-worthy pizza must be worth a try.  The Superbowl viewing I attended in Mount Pearl gave me the perfect opportunity to try it, and to be a decent guest by bringing some pizza to the party.

Unfortunately, Superbowl Sunday had seen some poor weather, and thus my travel to Mount Pearl was somewhat hindered.  Since I had no idea how long it would take Mr. Jim’s to prep a pizza for pick-up (only about 15 minutes, it seems), I had ordered it far too early, and thus we were about 10 minutes late picking it up.  Coupled with another few minutes of travel time to our final destination, and the pizza may not have been at optimal freshness when consumed.

On the up-side, Mr. Jim’s pizza was good—certainly what I consider a proper sort of pizza.  The crust was thick and crispy, toppings were generous, and it was tasty.  I think this particular pizza had been slightly overdone, as the crust was more brown than golden in places, but it was certainly not drastically so.

The most significant drawback came when the toppings congealed together in a solid mass of cheese, pepperoni, and bacon (delicious, I know) that tended to slide off the top of the slices.  Of course, this made me nostalgic for similar pizzas of my youth, but it had been a while since I had experienced the phenomenon.  I would suggest that it may have been due to the lack of freshness by this point—if the pizza had cooled enough for the cheese to solidify in this matter, it would exacerbate any sliding tendencies.

As such, I think Mr. Jim’s definitely warrants a second tasting, to ensure my already-positive opinion is not of a sub-optimal pizza.  I do not think it is sufficiently stand-out from places closer to home to warrant becoming a regular pizza place, but it is definitely a good pizza.

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Tangled / Green Hornet / Barney’s Version

The girlfriend came to visit for a few weeks, so—as we are wont to do—we frequented the movies.  This post contains my thoughts in brief on the movies we saw together, most of which are old news by now, but I felt they should not pass without comment.

Tangled

Tangled may have the distinction of being the first Disney non-Pixar computer animated film that was any good.  I quite enjoyed it; more than The Princess and the Frog, I think, though the music was largely forgettable and it lacked the gravitas or dramatic oomph of that 2D film.  Tangled just felt more fun, although I’m sure Zachary Levi‘s voice work conjuring my warm feelings toward Chuck may have contributed to this.

I saw it in 3D, and it was thankfully inoffensive in that regard.  Of course, the 3D also didn’t add anything, and I would have rather done without, but unfortunately it wasn’t showing in 2D anywhere at that time.

The animation looked fine; the characters were amusing or cute as needed, and the scenery sufficiently lovely.  As is often the case with Disney movies, the non-speaking animal sidekicks stole the show, in the form of Pascal the chameleon and Maximus the horse.  The story had some fun adventures and clever set pieces and was, well, fun.

It has just occurred to me that, at this point, most 3D computer animated features are all looking pretty much the same.  I didn’t notice much difference in terms of the quality of animation between this, Megamind, and Despicable Me, for example.  I hope this means that we’re at the point where writers, directors, and producers realize that they have to distinguish themselves with the quality of the movies (story, characters, voice acting, etc.) rather than just the visuals.  If so, then Pixar might finally face some meaningful competition.

Anyway: Tangled.  Enjoyable and fun, but not too deep.

Green Hornet

I had been hoping that the Green Hornet movie would be awesome because I generally like Seth Rogen, and more importantly I like movies that are awesome and that are also superhero movies.  There was even some reason to hope that it might be, seeing as director Michael Gondry had produced weird, interesting, and excellent films such as Be Kind Rewind and Eternal Sunshine of the Spotless Mind.  Alas, my hopes were not quite met.

First of all, the movie had a truly atrocious 3D-conversion.  Yet another overwhelming piece of evidence that 3D films suck in general, and converted ones suck without exception.  The people who keep making these travesties happen should totally just be melvined.

Secondly, the movie felt like it was two very distinct scripts jammed together in the middle.  So early in the film we see some amusing buddy comedy that is typical Rogen fare, and then in the latter half we have an intense, violent, plot-driven action flick.  Cameron Diaz’s role also seems entirely superfluous—I get what they were trying to do with her character, but she was heavily under-utilized and didn’t become interesting until the very end.

Thirdly, the action sequences lacked any kind of consistent style.  The first fight scene featuring Kato was highly stylized.  It was not necessarily a good style, but it was distinctive.  Some elements of that returned in the final action scene, but were absent from the rest of them.  And for me, a movie having its own sense of style is what can elevate it from so-so or ridiculous to transcendent and sublime.  Green Hornet did not reach such an apotheosis.

That said, it was a passably-entertaining action comedy.  I have expounded upon its flaws—which are many—but in the hierarchy of all movies, it was okay.  I was entertained, I laughed, I enjoyed the action sequences, and there were some genuinely clever bits.  I did not feel it was a wast of my money (other than the 3D), but your mileage may vary.

Barney’s Version

This film is, admittedly, a little far off my usual fare.  But my mother had wanted to see it, so the girlfriend and I went with her.  Also, at the time, there wasn’t really anything else out.

Fortunately, Barney’s Version turned out to be a fine film.  As with many films starring Paul Giamatti, it was laced with humour but turned a bit dark and depressing toward the end.  (In this case, I believe it was true of the original book as well.  Though it had been many years since she had read it, my mother found the movie to be a pretty good adaptation of the book.)

The story follows the ups and downs in the life of Barney Panofsky.  I can’t really say much more about the plot without giving away spoilers.  What should be obvious, though, is that Barney (played by Giamatti) is front-and-centre throughout the film, and he does an amazing job.  As Barney ages in the movie, Giamatti adjusts his posture, his way of walking, of speaking.  Very impressive and convincing.  The movie also had an excellent supporting cast, though Dustin Hoffman as Barney’s father was the real standout.

So Barney’s Version was an excellent film, albeit a somewhat dark and depressing one at times.  If that’s what you like in a film, this one won’t do you wrong.

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Pizza Quest 2: Old Town Pizzeria

After a couple of Pizza Delight outings, I finally managed to try a place that was entirely new to me: Old Town Pizzeria.  Their pizza is much closer to the kind I like: crispier crust on the bottom, a meaningful amount of crust to hold on to at the edges, reasonably thick and doughy, and a nice layer of toppings.

This was a very satisfying experience.  The only drawback was that I found their sauce a little too sweet; this was only really noticeable around the edges after some of the toppings had slid off.  While I think I’ll want to come back to them again to get a stronger impression of whether they might be “the one”, they are certainly a more favoured option than Pizza Delight just by dint of being closer to the kind of pizza I like.

The pizza quest is already becoming more and more delicious.

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Thoughts on Harry Potter and the Deathly Hallows: Part 1

My familiarity with Harry Potter has, till recently, been entirely via the movies and various online wikis.  Unlike die-hard fans of the books, I have seen the films with no additional knowledge of the world or plot, and thus some movies that were most beloved by the book-lovers left me confused and dissatisfied, whereas my favourite of the films thus far (Prisoner of Azkaban) is often cited as the weakest by the book fans.

Now, I have started reading the books opportunistically; that is, whenever I am staying with someone who happens to have a copy on their shelves.  I have read the first three books, and while they are growing on me, I still stand by my choice of favourite film.  I mention this to establish that, when it comes to the seventh Harry Potter movie, I’m still approaching it as a film-goer rather than a reader of the specific books.

As such, I found Harry Potter and the Deathly Hallows: Part 1 enjoyable but dissatisfying, as it sort of just ended.  Of course, I understand that is because this movie ends in the middle of the book, but that doesn’t make it any more satisfying as a movie.

Nevertheless, the action was interesting if a bit directionless.  There were cool scenes and revelations, and the “interminable camping” bits I’ve heard mention of in the book seemed eminently terminable.  And this movie, more than any of the previous, was relentlessly dark.  In the previous films, bad stuff happened, but always to someone other than our main trio of heroes.  In this film, it hits them all square on, as if someone flicked a switch to go from kids book to adult book (or movie, in this case).

Despite my grumbles about the dissatisfying ending, it did leave me anxious to see how the series ends.  (I mean, I’ve *read* how the series ends on various wikis, but I’m anxious to see it, which is no small feat.)  I may try and get through the rest of the books before the final film arrives just to see how it turns out.

Of course, the movie is not all roses and sunshine in terms of production quality.  There were a number of plot events that didn’t really make a lot of sense to me, in the form of a few scenes where they tried to explain something, but didn’t explain enough.  Also, I found some of the character motivations a bit thin, and the lead trio seemed to rehash the same personal drama we saw 2 movies ago.  All in all, it felt a bit meandering and directionless, with lots of cool scenes individually that failed to make a coherent whole.

In terms of recommendations, well, if you liked the other movies, you’ll probably like this one; if you didn’t, probably not.  It is a more grown-up film than its predecessors, but won’t make much sense without them.

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