Tangled / Green Hornet / Barney’s Version

The girlfriend came to visit for a few weeks, so—as we are wont to do—we frequented the movies.  This post contains my thoughts in brief on the movies we saw together, most of which are old news by now, but I felt they should not pass without comment.

Tangled

Tangled may have the distinction of being the first Disney non-Pixar computer animated film that was any good.  I quite enjoyed it; more than The Princess and the Frog, I think, though the music was largely forgettable and it lacked the gravitas or dramatic oomph of that 2D film.  Tangled just felt more fun, although I’m sure Zachary Levi‘s voice work conjuring my warm feelings toward Chuck may have contributed to this.

I saw it in 3D, and it was thankfully inoffensive in that regard.  Of course, the 3D also didn’t add anything, and I would have rather done without, but unfortunately it wasn’t showing in 2D anywhere at that time.

The animation looked fine; the characters were amusing or cute as needed, and the scenery sufficiently lovely.  As is often the case with Disney movies, the non-speaking animal sidekicks stole the show, in the form of Pascal the chameleon and Maximus the horse.  The story had some fun adventures and clever set pieces and was, well, fun.

It has just occurred to me that, at this point, most 3D computer animated features are all looking pretty much the same.  I didn’t notice much difference in terms of the quality of animation between this, Megamind, and Despicable Me, for example.  I hope this means that we’re at the point where writers, directors, and producers realize that they have to distinguish themselves with the quality of the movies (story, characters, voice acting, etc.) rather than just the visuals.  If so, then Pixar might finally face some meaningful competition.

Anyway: Tangled.  Enjoyable and fun, but not too deep.

Green Hornet

I had been hoping that the Green Hornet movie would be awesome because I generally like Seth Rogen, and more importantly I like movies that are awesome and that are also superhero movies.  There was even some reason to hope that it might be, seeing as director Michael Gondry had produced weird, interesting, and excellent films such as Be Kind Rewind and Eternal Sunshine of the Spotless Mind.  Alas, my hopes were not quite met.

First of all, the movie had a truly atrocious 3D-conversion.  Yet another overwhelming piece of evidence that 3D films suck in general, and converted ones suck without exception.  The people who keep making these travesties happen should totally just be melvined.

Secondly, the movie felt like it was two very distinct scripts jammed together in the middle.  So early in the film we see some amusing buddy comedy that is typical Rogen fare, and then in the latter half we have an intense, violent, plot-driven action flick.  Cameron Diaz’s role also seems entirely superfluous—I get what they were trying to do with her character, but she was heavily under-utilized and didn’t become interesting until the very end.

Thirdly, the action sequences lacked any kind of consistent style.  The first fight scene featuring Kato was highly stylized.  It was not necessarily a good style, but it was distinctive.  Some elements of that returned in the final action scene, but were absent from the rest of them.  And for me, a movie having its own sense of style is what can elevate it from so-so or ridiculous to transcendent and sublime.  Green Hornet did not reach such an apotheosis.

That said, it was a passably-entertaining action comedy.  I have expounded upon its flaws—which are many—but in the hierarchy of all movies, it was okay.  I was entertained, I laughed, I enjoyed the action sequences, and there were some genuinely clever bits.  I did not feel it was a wast of my money (other than the 3D), but your mileage may vary.

Barney’s Version

This film is, admittedly, a little far off my usual fare.  But my mother had wanted to see it, so the girlfriend and I went with her.  Also, at the time, there wasn’t really anything else out.

Fortunately, Barney’s Version turned out to be a fine film.  As with many films starring Paul Giamatti, it was laced with humour but turned a bit dark and depressing toward the end.  (In this case, I believe it was true of the original book as well.  Though it had been many years since she had read it, my mother found the movie to be a pretty good adaptation of the book.)

The story follows the ups and downs in the life of Barney Panofsky.  I can’t really say much more about the plot without giving away spoilers.  What should be obvious, though, is that Barney (played by Giamatti) is front-and-centre throughout the film, and he does an amazing job.  As Barney ages in the movie, Giamatti adjusts his posture, his way of walking, of speaking.  Very impressive and convincing.  The movie also had an excellent supporting cast, though Dustin Hoffman as Barney’s father was the real standout.

So Barney’s Version was an excellent film, albeit a somewhat dark and depressing one at times.  If that’s what you like in a film, this one won’t do you wrong.

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Pizza Quest 2: Old Town Pizzeria

After a couple of Pizza Delight outings, I finally managed to try a place that was entirely new to me: Old Town Pizzeria.  Their pizza is much closer to the kind I like: crispier crust on the bottom, a meaningful amount of crust to hold on to at the edges, reasonably thick and doughy, and a nice layer of toppings.

This was a very satisfying experience.  The only drawback was that I found their sauce a little too sweet; this was only really noticeable around the edges after some of the toppings had slid off.  While I think I’ll want to come back to them again to get a stronger impression of whether they might be “the one”, they are certainly a more favoured option than Pizza Delight just by dint of being closer to the kind of pizza I like.

The pizza quest is already becoming more and more delicious.

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Thoughts on Harry Potter and the Deathly Hallows: Part 1

My familiarity with Harry Potter has, till recently, been entirely via the movies and various online wikis.  Unlike die-hard fans of the books, I have seen the films with no additional knowledge of the world or plot, and thus some movies that were most beloved by the book-lovers left me confused and dissatisfied, whereas my favourite of the films thus far (Prisoner of Azkaban) is often cited as the weakest by the book fans.

Now, I have started reading the books opportunistically; that is, whenever I am staying with someone who happens to have a copy on their shelves.  I have read the first three books, and while they are growing on me, I still stand by my choice of favourite film.  I mention this to establish that, when it comes to the seventh Harry Potter movie, I’m still approaching it as a film-goer rather than a reader of the specific books.

As such, I found Harry Potter and the Deathly Hallows: Part 1 enjoyable but dissatisfying, as it sort of just ended.  Of course, I understand that is because this movie ends in the middle of the book, but that doesn’t make it any more satisfying as a movie.

Nevertheless, the action was interesting if a bit directionless.  There were cool scenes and revelations, and the “interminable camping” bits I’ve heard mention of in the book seemed eminently terminable.  And this movie, more than any of the previous, was relentlessly dark.  In the previous films, bad stuff happened, but always to someone other than our main trio of heroes.  In this film, it hits them all square on, as if someone flicked a switch to go from kids book to adult book (or movie, in this case).

Despite my grumbles about the dissatisfying ending, it did leave me anxious to see how the series ends.  (I mean, I’ve *read* how the series ends on various wikis, but I’m anxious to see it, which is no small feat.)  I may try and get through the rest of the books before the final film arrives just to see how it turns out.

Of course, the movie is not all roses and sunshine in terms of production quality.  There were a number of plot events that didn’t really make a lot of sense to me, in the form of a few scenes where they tried to explain something, but didn’t explain enough.  Also, I found some of the character motivations a bit thin, and the lead trio seemed to rehash the same personal drama we saw 2 movies ago.  All in all, it felt a bit meandering and directionless, with lots of cool scenes individually that failed to make a coherent whole.

In terms of recommendations, well, if you liked the other movies, you’ll probably like this one; if you didn’t, probably not.  It is a more grown-up film than its predecessors, but won’t make much sense without them.

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Pizza Quest 1: Pizza Delight

Since I first started my Pizza Quest some months ago, I have been lax in posting updates.  Rest assured, gentle reader, that I have not been lax in my consumption of pizza.  This is the first of three posts intended to get me caught up.

The first contender is Pizza Delight.  This is my mother’s preferred place, primarily (I think) because it is the pizza place closest to us.  Thankfully, it is not a bad default option.  Their pizzas are generally quite consistent; only with the last pizza did I find anything off-normal.  In that case, we got it on a Saturday night that was unusually busy for them, and it seemed like it had been left in the oven just a bit too long.

Their pizzas are generally quite tasty, with a dough-thickness that I quite enjoy.  However, they have a bit of a softer crust on the bottom, and not much crust on the ends to hold on to.  Thus, while it is a good pizza, I’m not sure they are quite a contender for what I’m looking for.

We had pepperoni, cheese, ground beef, and bacon.  This (or something close) will be our test toppings for future pizzas.  We also had an order of garlic fingers, which turned out to be quite expensive, and not worth the cost, I think.  We could have almost had another proper pizza for the price we paid, and pizza is greater than garlic fingers.

So, overall impressions of Pizza Delight are favourable, but not quite the kind of pizza I’m looking for.

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Entertaining Exam Question

I came across this link to a rather entertaining exam question about Return of the Jedi.  Now, I have no idea if this is real or not, but I am entertained nonetheless.

Of course, if I had written this question, the correct answer would be F.  Return of the Jedi is my favourite Star Wars movie, despite Empire Strikes Back being the better film overall.  This may be partly attributable to seeing Jedi in the theatre when I was very little, or to most of the toys I had being tie-ins with that movie, or to something else entirely.  It is my favourite, despite not being the best.

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Neat Idea: Gotham High

While perusing SF Signal as I am wont to do, I found a link to this post by Jeff Thomas and Celeste Green, showcasing some development work they did for DC called Gotham High—essentially Batman in high school.  The project didn’t go anywhere, but they have a number of drawings that are vastly amusing.

(I know this would violate Batman canon—inasmuch as one exists—but I would assume that it was intended to be a non-canonical offshoot.)

Check it out, just to look at the pictures!

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Thoughts on Tron: Legacy

I saw the original Tron when I was a kid.  Since it came out when I was 3, I’m pretty sure I saw it when my sister rented it for me on VHS.  I remember enjoying it, but what stuck with me were the Recognizers revolving their legs to crush stuff, the disc battles, and (of course) the light cycles.  The plot and characters didn’t really sink in too much, though, since when I saw part of it again on TV a few years ago, I was delighted to recognize Bruce Boxleitner (who I am a fan of via Babylon 5, which is one of my favourite shows ever) and Jeff Bridges (who is known for many things).

Clearly, most of my recollections were of cool bits, rather than the original movie as a whole, and thus while I wasn’t entirely disinterested when Tron: Legacy was announced, neither was I salivating in anticipation.  Have no hopes for a movie sequel is perhaps the safest way to approach them, and for me it worked out very well in this instance.

Most of what I knew about this movie before seeing it came from the presentation I had attended at Fan Expo back in August.  (I went to this more because Boxleitner was going to be there, not out of any particular interest in the movie.)  At the presentation we saw how they updated the graphics, visuals, and character designs, and I began to fell more positive about seeing the movie.  I was also mildly amused when Boxleitner asked us all to go see it—a couple of times, and on opening weekend, if possible.

(I partially failed that charge—I did see Tron: Legacy twice, quite by accident, but neither viewing was on opening weekend.  The movie seemed to do okay without me.)

All of this is my rather roundabout way of saying that I came to this movie with little in the way of personal investment or expectation.  Unlike, say, Star Wars or Star Trek, where I hope the movies live up to the awesome potential of their respective franchises, Tron: Legacy just had to be a decent movie.  I’m happy to report that—in my opinion—it succeeded.

The movie starts a few years after the original movie, with a recap of said movie told in the form of a bedtime story by Kevin Flynn (the lead from the first Tron, though not Tron himself) to his young son Sam, which ends with him promising to show his son the world-inside-a-computer known as “The Grid”.  Kevin then heads to work, turning to wave goodbye to his son, and we see a computer de-aged Jeff Bridges clearly for the first time.

(This brings up the first quibble: the CG “Young Kevin Flynn” looked okay, except around the mouth when he spoke.  I’m not sure if it was just animated poorly, or seemed too disconnected from the rest of the face, but it threw me off for a moment.  Perhaps it is the uncanny valley at work.)

Flynn heads to work, and is never seen again.  Sam inherits his company, and grows up thinking he has been abandoned.  He avoids any responsibility to do with the company until one night his father’s old friend Alan Bradley (played by Boxleitner, who was also Tron) tells him of a message from his father’s old arcade building and convinces him to check it out.  Sam stumbles across his father’s hidden office, and gets sucked into the Grid where the story really begins….

Structurally, Sam’s discovery of the Grid for the first time allows viewers unfamiliar with the original movie to “ride along” with him as he makes his discoveries and has things explained to him.  Fans of the original also get brought up-to-date by this mechanism.  It’s an old approach, and a bit predictable, but it does the job in introducing the world and the major conflicts within it.

The story, for all the setup we’re given, is really about a father and son reconnecting, and the father managing to overcome the mistakes he made that kept them apart.  This is punctuated with a lot of cool fight scenes—the disc battles and light cycles return, in upgraded form—a bit of character development, and a notional threat to the real world of programs escaping the Grid to run amok in reality.

All of that is really only secondary to the story of Kevin and Sam, though, which I think is a source of a lot of the complaints about the movie.  It throws a lot of ideas and plot points out there, and with most of them it fails to explore them in depth.  If, as a viewer, you can fill in the gaps on your own and be satisfied that the depth is there, just not on screen, then I think you might find the movie enjoyable.  Otherwise, you’ll be full of “but why…” and “what about…” questions.  The external plot points are resolved, but the story between Kevin and Sam is what concludes.

As such, I quite enjoyed this movie.  It is not without its flaws, and I’m not sure I can recommend it to a fully general audience, but it is good without being great.  I enjoyed both of my viewings of it, was satisfied with the ending, and yet was still left wanting to know more.

Before I wrap up, I feel I should offer my complaints as well.

  • The de-aged Jeff Bridges that bothered me in the opening scene of the movie reappears later on, as well, and has drawn heavy criticism.  The later appearances don’t bother me so much, since in the context of the movie it is not the same character and everyone is in the Grid then, so creepy CG people make a sort of sense.  I  don’t think it was on purpose, though—I just think that technology is not quite there just yet.
  • Recognizers didn’t crush anybody!
  • The 3D seemed unnecessary.  While it didn’t give me too much of a headache (a rarity for 3D movies), it didn’t really add much to the movie, and was barely noticeable.  If any movie was going to wow me with 3D, it should have been this one, and yet, meh.  I’d rather have watched in 2D with the brighter picture, like I did for the “real world” parts at the beginning.  I just want 3D to die die die.
  • I wanted to see more of Tron!  He is the namesake character, after all.
  • I think the movie offered up too many ideas, and failed to fully explore all of them.  As such, this is a source of discontent in the viewer.  The ideas on display are good, but they just couldn’t handle them all in this movie, and so there has to be a bit of a let-down feeling after that setup.

Ultimately, however, these criticism are pretty minor compared to what I could say about some movies out there.  While I don’t think this movie is for everyone, Tron: Legacy is a solid movie that I quite enjoyed, and I hope there is another one.  Preferably with lots of Tron, Recognizers crushing things, and answers to the questions and ideas introduced in this film.

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This Hurts My Soul

So, I came across this New York Times article, Selling a Book by Its Cover, via SF Signal.  Feel free to go and read it for context, but I’ll summarize the key things that impacted me as I go along.

My first thought as I began reading was, “Cool!”  I was delighted to know that it’s easy to find a vellum-bound set of the works of Goethe in the original German.  I mean, I can’t read German—but I could learn.  And I know people who could read it.  I would totally love to have such works in my library.  (I’d probably want English translations, too, but I’m a sort of completist that way.)

Now, I should perhaps explain that I’m a big fan of books as artifacts.  I own over a thousand books, and one day I hope to read them all, and more besides.  My favourites—as physical artifacts—are the pretty ones, the durable ones, the impressive-looking ones.  I like the notion of books that last, the idea that a hundred years from now, or five hundred, the books on my shelves might still exist, sending their content forward through time for others to discover and read.  Hence my preference for the hardcovers and acid free paper over the yellowing paperbacks that may not survive my own lifetime, much less any thereafter.

This is not meant to imply that I am a Luddite when it comes to the e-book revolution.  I  haven’t quite jumped on that bandwagon yet, mostly because the readers aren’t quite good enough to do what I think they should.  I actually hope that e-books become the new and cheaper mass market, and that printed books become higher quality—that way, I can read the e-book, and if the book impresses me a lot, I’ll by the artifact to grace my shelves.  (I would hope this would lead to more reading and less shelving in my life, but I have my doubts because I do like the pretties.)

All of this is my roundabout way of saying that I have a lot of respect for well-made printed books, and I think they are something that should be preserved.  And so it was that when I got to the part in the article when they started talking about books as set dressings, it hurt my soul.  It was especially cringe-inducing to read about books being mutilated so they could fit on shallow shelves as spines-only, or being completely rebuilt into artwork (“Making trees from books”).

Rationally, I know this is silly—there are lots of books out there that are no good to anyone, and if they aren’t used for these sorts of things, they’d probably end up trashed.  It still hurts to hear about used bookstores selling stock into destruction however.

Egad.  Maybe I should have been a librarian or archivist.

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I Am Now on Twitter

In case anyone has failed to notice the Twitter feed added to this blog, or the mention of it in my Plans for 2011 post, I am now on Twitter as housephd.

(The name is somewhat presumptive, as I do not have my PhD yet.  But I will.  Oh yes, I will.  And it sounds better than “housephdcandidate” anyway.)

(Alternately, should I fail to complete the PhD, I could turn it into the Twitter stream of the lead character of a “House, PhD” web video series I had thought about making, where I play a brilliant but bitter professor who—with a team of three brilliant graduate students—solves problems that no one else can while battling a crippling addiction to Altoids.)

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New Theme for a New Year

I have updated the WordPress theme for my blog, as I was getting tired of the old one.  I’m not entirely convinced this new one is exactly what I want, but I don’t have the time to figure out how to tweak it.  I’d be interested in thoughts or preferences from any readers out there—just leave a comment.

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